VIVIEN ANDERSON GALLERY| Now representing Hayley Millar-BakerNovember 2017
Vivien Anderson Gallery is delighted to announce that HAYLEY MILLAR-BAKER has joined our community of represented artists. Welcome Hayley.
Melbourne born and based photographer Hayley Millar-Baker is of Gunditjmara, Brazilian, Anglo-Indian, and European (Scottish and English) descent. Her practice is influenced and informed by her Koorie heritage and her own experience of living in a colonised contemporary urban culture.
Engaging with personal subjects surrounding my existence as an ‘urbanised’ Aboriginal, my practice is focused in photo-media investigations and interrogations of both personal and collective realities and re-imaginings - confronting past, present, and future stories of Aboriginal existence within south-east Australia. I use digital technologies to recount (to give the facts through narrative) and revive (to bring back into notice) story-telling through the process of photographic assemblage. I explore themes of cultural beliefs, connection to country, identity, relationships, cultural practices and values, displacement, alienation, oppression, and social confinement in relation to my own Aboriginal heritage.
Revealing personal re-imaginings of my story and my culture I acknowledge traditional story-telling through a contemporary lens.
Hayley is a finalist in the 2017 Churchie National Emerging Art Prize opening at the QUT Gallery in Brisbane on 11 November and was also selected as a finalist in the 2017 Darebin Art Prize, 2017 Incinerator Art Award: Art for Social Change, 2017 Pro Hart Outback Art Prize, 2017 Maddocks Art Prize, and the 2014 Victorian Indigenous Art Award. She has recently exhibited as part of the 2017 TARNANTHI Festival of Contemporary Aboriginal and Torres Strait Islander Art in Adelaide, the 2017 HoBiennale in Hobart, the 2017 Ballarat International Foto Biennale, the 2017 Yirramboi Festival, and will participate in the 2018 Sydney Festival.
Hayley completed a Bachelor of Fine Arts (Painting) at RMIT University in 2010, Master of Teaching (Visual Arts) at The University of Melbourne in 2015, and has recently completed a Master of Fine Arts at RMIT University.
Hayley Millar-Baker is collaborating with James Tylor to present a new body of work for exhibition at Vivien Anderson Gallery in August 2018.
For further information and for images of currently available works, please contact the gallery.
Hayley Millar-Baker at the Incinerator Gallery with her photographic assemblage Even if the race is fated to disappear 1 (Peeneeyt Meerreeng / Before, Now, Tomorrow) 2017, Inkjet on cotton rag, 120 x 80 cm, Edition of 7 (+2 AP)
VIVIEN ANDERSON GALLERY| Winter NewsJuly 2017
HUBERT PAREROULTJA - ORBITAL LANDSCAPES
Vivien Anderson Gallery is delighted to present the world premiere solo exhibition of watercolour paintings by HUBERT PAREROULTJA in association with Iltja Ntjarra Many Hands Art Centre, NT and in conjunction with the Big hART premiere of Namatjira Project at the Melbourne International Film Festival (MIFF).
OPENING WEDNESDAY 26 JULY 6PM - 8PM
Speaking on Hubert Pareroultja’s behalf and with his consent at the opening evening will be Alison French, independent curator and author of Seeing the Centre: The Art of Albert Namatjira 1902 – 1959.
Alison’s extraordinary scholarship extends to insightful personal anecdotes about the artists, having formed lasting friendships with the artists children and children’s children.
Images (l-r): Tjuritja (West MacDonnell Ranges, NT) 2016, watercolour on paper, 54 cm diameter (image), 78 x 80 cm (framed size); James Range near Utju 2017, watercolour on paper, 41 cm diameter (image), 60 x 62 cm (framed size); Two Emus travelling Kintore way 2017, watercolour on paper, 51 cm diameter (image), 78 x 80 cm (framed size)
CONGRATULATIONS TO WYNNE PRIZE FINALISTS
We are delighted to announce that gallery artists TERESA BAKER and BERYL JIMMY from Tjungu Palya, SA, have been selected as finalists in the prestigious Wynne Prize at the Art Gallery of New South Wales.
Teresa Baker's epic painting, Minyma Malilunya, will also be featured in her solo exhibtion at Vivien Anderson Gallery in November.
Image: Teresa Baker, Minyma Malilunya 2017, synthetic polymer paint on canvas, 200 x 300 cm
BALLARAT INTERNATIONAL FOTO BIENNALE
Gallery artists MAREE CLARKE, KENT MORRIS and JAMES TYLOR have been selected to exhibit in Tell, an exhibition of contemporary Indigenous photography, at the Ballarat International Foto Biennale in August.
James Tylor's new series The Forgotten Wars, produced in collaboration with Laura Wills, which will feature in Tell is now available. Please contact the gallery for the pictorial pricelist.
James Tylor and Laura Wills, The Forgotten Wars #3. #9, #10 2017, drawing on photograph (unique), 50 x 50 cm
Now available at the gallery for selected artists and artworks.
Art Money - Money for art's sake. Interest free loans to buy art. Take your art home and pay for it later.
Images: Jakayu Biljabu, Wikiri 2014, synthetic polymer paint on canvas, 91 x 122 cm; Jakayu Biljabu, Wantili 2014, synthetic polymer paint on canvas, 76 x 121 cm; Jakayu Biljabu, Pitu 2017, synthetic polymer paint on canvas, 61 x 91 cm
VIVIEN ANDERSON GALLERY| Artist news - exhibitions and awardsMay 2017
MAREE CLARKE COMMISSION AT MONASH UNIVERSITY
Maree Clarke's latest commission On the Banks of the Murray was unveiled at the redeveloped Sir Louis Matheson Library at Monash University's Clayton Campus yesterday. These extraordinary lenticular prints explore the notion of Place revealed through connection to country and her family's personal history.
On the banks of the Murray is a permanent fixture in the building, alongside Maree's Kangaroo Teeth Necklace, and artworks by gallery artists James Tylor and Vicki West which have also been acquired for the Monash University Collection.
Maree Clarke in front of On the banks of the Murray at the reopening of the Matheson Library at Monash University
MAREE CLARKE AND VICKI WEST IN DEFYING EMPIRE: 3RD NATIONAL INDIGENOUS ART TRIENNIAL
Maree Clarke and Vicki West are each presenting major new bodys of work in Defying Empire: 3rd National Indigenous Art Trienniat at the National Gallery of Australia in Canberra.
Bringing together the works of 30 Aboriginal and Torres Strait Islander artists, this groundbreaking exhibition commemorates the 50th Anniversary of the Referendum, and highlights the continued excellence and diversity of Indigenous practice today.
Defying Empire opens at the National Gallery of Australia, Canberra from 26 May - 10 September.
For further details please click here.
Vicki West, In My Name, dodder vine installation
JAMES TYLOR - RAMSAY ART PRIZE FINALIST
James Tylor has been selected as a finalist in the Ramsay Art Prize.
The Ramsay Art Prize changes the way we view and value the work of artists under the age of 40 in the canon of contemporary art. Held every two years, the $100,000 acquisitive prize is supported by the James & Diana Ramsay Foundation, and will be awarded to one of the 21 finalists at the Art Gallery of South Australia on Friday 26 May.
Ramsay Art Prize is at the Art Gallery of South Australia from 27 May - 27 August.
For further information click here.
James Tylor, Karrawirra Yerta 2016, daguerreotypes, timber (Eucalyptus camaldulensis), burnt sheep bones, quartz, charcoal, red ochre, stone knife and gold paint
VIVIEN ANDERSON GALLERY| Vale Mary MachaMay 2017
We salute the esteemed perspicacious, tenacious Mary Macha for her perceptive recognition of the talented artists she worked with, famously Rover Thomas, Paddy Jaminji and Alec Mingelmanganu.
We are so grateful that Mary patiently told and retold her story of meeting Rover Thomas and his peers to many of us working in indigenous art in the late 1980s and since. Her record keeping reflected her own precise standards and her memory for paintings that passed through her hands was sharp, often annotated with humorous tales about the artists, particularly Rover Thomas whose roguish charm clearly warmed her heart.
For those fortunate to visit her, she was always gracious. She had many varied interests apart from art and artists.
It is not surprising that Mary lived such a long life and on her own terms, she always did things her own way.
Tributaries of the Ord River 1991
earth pigment on canvas
90.5 x 180 cm
Provenance: Mary Macha, Perth WA
Private Collection, UK